Indian Film ‘All We Imagine As Light’ Gets 8-Minute Ovation at Cannes

New Delhi: Indian filmmaker Payal Kapadia’s latest film, All We Imagine As Light, made waves at the prestigious Cannes Film Festival on Thursday, May 23rd, with a world premiere that earned an impressive eight-minute standing ovation from the audience. This extraordinary recognition at an international platform underscores the growing prominence and excellence of Indian cinema on the global stage.

A Historic Milestone for Indian Cinema

All We Imagine As Light is a significant milestone for Indian cinema, being the first Indian film in 30 years to qualify for the competition section at Cannes. This achievement places Kapadia among a revered group of filmmakers, competing alongside renowned European directors such as Jacques Audiard and Yorgos Lanthimos, American auteurs David Cronenberg and Paul Schrader, and Asian visionary Jia Zhangke. The film’s selection for this prestigious segment is a testament to its exceptional storytelling and cinematic brilliance.

International Acclaim and Critical Praise

The film has not only captivated audiences but has also garnered high praise from international critics. Esteemed critic Peter Bradshaw of *The Guardian* lauded the film for its freshness and emotional clarity, drawing comparisons to the classic works of Satyajit Ray, particularly Mahanagar and Aranyer Din Ratri. Such comparisons highlight Kapadia’s adept storytelling and her ability to resonate with audiences on a profound level.

Early reviews post-screening were overwhelmingly positive. International critic Fionnuala Halligan described Kapadia’s transition from documentary filmmaking to fiction as reminiscent of the works of Lucrecia Martel and Alice Rohrwacher, noting a strong romantic element that evokes the poignant relationship between Wong Kar-wai and the city of Hong Kong.**

A Celebration of Indian Creativity and Vision

While it remains to be seen if All We Imagine As Light will take home a trophy, the film has undoubtedly left an indelible mark on the festival. The extended applause from the audience is a clear indication of the film’s impact and the high regard in which it is held by viewers and critics alike. This response not only celebrates Kapadia’s creative vision but also underscores the growing appreciation for Indian films in international cinema circles.

About the Film

All We Imagine As Light delves into themes of memory, identity, and the passage of time, weaving a narrative that is both intimate and universal. Kapadia’s direction brings a unique blend of documentary realism and fictional storytelling, creating a film that is both deeply personal and broadly resonant.

Conclusion

The eight-minute standing ovation at Cannes for Payal Kapadia’s All We Imagine As Light marks a significant achievement for Indian cinema on the global stage. The film’s critical acclaim and the audience's overwhelming response highlight the power of storytelling and the universal appeal of well-crafted cinema. As Indian filmmakers continue to make their mark internationally, Kapadia’s success serves as an inspiration and a reminder of the rich, diverse talent emerging from India.